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Dre gives Eminem's hometown of Detroit a big shout-out. On the remix twist of Snoop Dogg's B***h Please from Eminem's sophomore album, Dr. To celebrate the most lethal trio in hip-hop, we're counting down our list of their best collaborations. Dre, on the other hand, always gave his green light by cooking the beats for them. In return, 50 had Eminem's back when top-flight publications like The Source and XXL were against him. Eminem caught himself in the middle of 50 Cent-Ja Rule longtime war, and he backed his protégé. When things get tight between them, they always have each other's back. Then, he gave the white boy from Detroit his one shot in 1998, and the two ended up co-signing 50 Cent in 2002 after the industry blackballed him. Dre was the one who came up first from the trio in the hip-hop scene with N.W.A in 1987. Dre as one of the most impressive trios in the genre's history. In the end, these guys are in the record business, and as much as they may care for their art, the main goal for them will always be the looped Eminem words that close out the track, “Now get out there and sell some God damn records!”ĮMINEM X JAY-Z X DR.Hip-hop has united 50 Cent, Eminem, and Dr. Not a bad track at all, and one that’ll have the hardcore internet fans talking, especially about the bars in their direction. For topics, they focus on bringing Shady/Aftermath to the forefront as the new generation of artists. Ca$his and Stat Quo hold their own with these heavyweights. The most he can muster is a few nonsense bars to continue the motif that lyrics have lower importance over melody (“Just give me my check/ and I’ll be on my way”).
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There is a light-hearted moment after this verse where Em takes his hand at the irritating, R&B choruses that are dominating the radio at this time.ĥ0 Cent doesn’t tackle the subject as well as his peers. When it comes to passing the torch, Dre doesn’t see anyone ready to pick up the mantle (“The torch is going to burn out before it gets passed…gambling every time we put a record out…”). Dre only gives a few quick bars, but the good doctor has some nice lines about veteran rappers continuing the standard of excellence set in previous generations. After painting Hip-Hop message board critics as naive, virgin teens, he views the philosophical divide as a choice between “the chat room or the house in Malibu.” For Jay-Z, his decision is easy.ĭr. He directly addresses the listeners, and states “it takes two to tango.” Right there, the Roc Nation CEO is making it clear that no one’s hands are “clean” in this situation: from the labels, to rappers, and even the actual fans who continue buying the product (“I guess you’re to blame, too/ I just found an angle.”). The “bang bang/chain” flow and content sells. Em’s verse is very quick, and posits more questions than answers for Jay-Z to reflect on.Īs expected, Jay takes a business approach.
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Eminem, one of the few who’s managed to become a superstar with technical wizardry, playfully bemoans how today’s young listener’s don’t possess attention spans beyond the chorus (“The whole formula switched/Because we don’t know anymore what’s a hit…How do we adapt and get TRL votes/When 13 year olds control the remotes?”). The title is a gateway to offer commentary on the importance of lyrics in today’s Hip-Hop. This song made the rumor mill rounds on Twitter a few days ago courtesy of mixtape dj Big Mike, and it turns out his claims of this song’s existence were right on point. If this is the last all-star collaboration of 2010, the year is going out on a good note. “They said 50 sang too much/And Em got soft/And they said Dre fell the fuck off…”